Theatre Tour Cancelled
Waitress Australian Tour Cancels Sydney, Ends Early Due to Economic Pressures
Anonymous
Key Points
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Waitress is notable for Broadway history in that its top four creative roles were held by women in its Broadway run, with director Diane Paulus, Sara Bareilles, Jessie Nelson and Lorin Latarro, a fact highlighted as a landmark for gender representation in musical theatre.
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Promoters cited the logistical realities of touring across Australia’s vast distances as a core factor driving cost pressures, with increasing travel and production costs contributing to the run becoming unsustainable.
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Ticket holders for the Sydney engagement are being handled through Ticketmaster, with representatives actively engaging to provide refund information and arrange reimbursements.
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Industry observers warned that cancellations like Waitress’s Sydney run, alongside Beetlejuice’s early end, could leave major venues dark for extended periods amid broader economic pressures on live theatre.
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The Australian production stars Natalie Bassingthwaighte and Rob Mills in the leading roles, continuing the show’s profile with well-known performers in the Sydney/Melbourne circuit.
The Australian production of Waitress will cut its national tour short, with all Sydney shows cancelled and Melbourne's run ending July 19 — three weeks ahead of schedule. Crossroads Live Australia CEO John Frost confirmed the decision on June 28, saying the production could not sustain itself against rising costs and weak ticket sales, according to ABC News Australia.
The Sydney season was set to open August 1 at the Lyric Theatre. Ticket holders will receive full automatic refunds through Ticketmaster. The cancellation follows Beetlejuice's Australian tour also ending early in June, marking the third major commercial musical to collapse in Australia within eight months.
Economic Pressures Made Continuing the Tour Unsustainable
Frost said the decision was "not made lightly." He stated that "whilst audience enthusiasm for our work remained strong, attendance levels and box office have not been sufficient to support the cost of the production," according to 7NEWS. Rising interest rates, a cost-of-living crisis, and cautious consumer spending all contributed to the collapse.
Touring in Australia is uniquely expensive. Unlike the US or Europe, where cities are close together, moving a large musical production between Australian cities means hauling massive sets and crews across thousands of kilometres. Rolling Stone Australia reported that these logistical costs made the tour unsustainable even with strong audience enthusiasm.
Sydney's Lyric Theatre Could Go Dark for 30 Weeks
The impact goes beyond the show itself. Graeme Kearns, CEO of Foundation Theatres, warned that the Lyric Theatre in Sydney could sit empty for up to 30 weeks over the next 10 months, according to News.com.au. He compared theatre to a "canary in a coalmine," saying it is always the first industry to feel the pain when consumers stop spending.
Dark venues create a ripple effect. Restaurants, hotels, and local businesses near the Lyric Theatre depend on theatre crowds. Hundreds of cast members, crew, and venue staff connected to both Waitress and Beetlejuice now face sudden job losses, according to Rolling Stone Australia.
Waitress Stars and a Broadway Landmark Cut Short
The Australian production starred Natalie Bassingthwaighte as Jenna and Rob Mills as Dr. Pomatter. Sydney tickets were priced between $69.90 and $199.90. Fans on social media expressed devastation, particularly for Bassingthwaighte and the cast, who had already delayed the show once after COVID cancelled a planned 2020 run, according to News.com.au.
Waitress carries a notable place in Broadway history. Its original Broadway run was the first time all four top creative roles — director, composer, bookwriter, and choreographer — were held by women. Those roles were filled by Diane Paulus, Sara Bareilles, Jessie Nelson, and Lorin Latarro. Bareilles had called bringing the show to Australia "a dream many years in the making," according to Head Topics Australia.
A Sector Under Strain as Government Funding Falls Short
Critics say the collapses reflect more than bad luck. Real government arts funding has dropped by more than $500 million annually in recent years, according to The Courier Mail. Theatre has also been left out of government stimulus packages aimed at the night-time economy, which have favoured nightclubs and pubs over live performance venues.
Australia's Musical and Theatre Productions industry was projected to reach $3.2 billion in 2025–26, but three major tour collapses will push actual revenue well below that figure. Pressure is now growing on Federal Arts Minister Tony Burke to revisit the national cultural policy and offer more direct support to the performing arts sector, according to News.com.au.
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