Slayyyter Releases Emotional "brand new chanel$," Previews "WOR$T MAN IN AMERICA" Album

On July 31, 2026, Slayyyter released "brand new chanel$" as the lead single for WOR$T MAN IN AMERICA. The 29-year-old artist, whose real name is Catherine Grace Garner, publicly introduced the track ahead of the new project.
The self-directed video features mourning, after-parties and house visuals tied to BEAT UP CHANEL$, including a silhouette-target scene and a recreation of the WOR$T MAN IN AMERICA artwork with a trucker hat reading the project title.
Slayyyter is performing at Lollapalooza on the Bud Light Stage, with a confirmed set time of 2:45–3:30 p.m., spotlighting the new single as part of the WOR$T GIRL IN AMERICA/WOR$T MAN IN AMERICA era.
In the UK, she is slated for appearances at Reading & Leeds and will open for Turnstile on select dates for the second leg of their Never Enough tour, expanding her international live footprint.
Musically, the track blends millennial-optimistic production with melancholy lyrics about infidelity, featuring a chorus with a large synth line described as Hans Zimmer-esque; the song includes explicit lyrics such as 'Tell me why'd you ever bring her / In my home while I was so far away.'
Slayyyter dropped "brand new chanel$" on July 31, 2026, the lead single from her upcoming project WOR$T MAN IN AMERICA. The track is a sister song to "BEAT UP CHANEL$" from her major-label debut, WOR$T GIRL IN AMERICA, and marks the start of a companion era for the pop artist. Alt Press reports the song explores a push-pull relationship colored by betrayal and heartbreak.
The 29-year-old artist, born Catherine Grace Garner, also released a self-directed music video alongside the single. Just Jared notes the song details a romantic betrayal she experienced just days before an album release, giving the track sharp personal stakes.
The song blends millennial-optimistic synth production with blunt, painful lyrics. One key line hits directly: "Tell me why'd you ever bring her / In my home while I was so far away." The Fader calls the track "happy-tears pop," capturing how the upbeat sound clashes with its sad core.
The chorus features a sweeping, large-scale synth line that reviewers describe as Hans Zimmer-esque — cinematic and bigger than expected for a pop single. Alt Press notes the song's softer, more exploratory feel compared to "BEAT UP CHANEL$," while Slayyyter's vocal delivery stays confident and clear throughout.
Slayyyter directed the music video herself. Head Topics reports the video pays homage to her previous song "Dance" and ties visually to the world of "BEAT UP CHANEL$." Key scenes include a silhouette-target sequence and a recreation of the WOR$T MAN IN AMERICA artwork, featuring a trucker hat with the project title.
The overall tone shifts toward mourning and quiet reflection. Where "BEAT UP CHANEL$" carried more aggression, the new video leans into after-party and home settings that feel somber and still. The visuals reinforce the song's theme: processing betrayal after the fact, not fighting back.
The single arrives during a busy live stretch for Slayyyter. She performed at Lollapalooza on the Bud Light Stage with a confirmed set time of 2:45 to 3:30 p.m., debuting "brand new chanel$" live. Xodivad notes the release is tied directly to her current world tour.
Her international run is also growing. She is booked to appear at Reading & Leeds in the UK, and will open for Turnstile on select dates during the second leg of their Never Enough tour. Together, these dates mark a clear step up in her live profile heading into the WOR$T MAN IN AMERICA era.
The Fader describes WOR$T MAN IN AMERICA as a sister project that will reimagine and flip tracks from WOR$T GIRL IN AMERICA. "Brand new chanel$" is its first preview. The project positions Slayyyter not just as a breakout pop act but as an artist building a cohesive, layered world across multiple releases.
Xodivad calls the single "a stunning next chapter," framing it as proof of Slayyyter's artistic growth. With a self-directed video, a high-profile festival slot, and a major UK run all landing at once, the release feels less like a single drop and more like a statement.
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