Tom Cruise defends human filmmaking and creativity against artificial intelligence at London BAFTA event.

Cruise’s comments came in the context of his recent Mission: Impossible films, whose antagonist is an artificial intelligence that has gone rogue; the 2025 installment, Mission: Impossible – The Final Reckoning, makes AI central to the story.
Cruise described cinema-going as “a different art form” and cited a reported $4.76 billion in U.S. box-office revenue between May 1 and Labor Day as evidence that audiences still seek human-made entertainment and communal theatrical experiences.
In discussing the importance of creative attention, Cruise told the audience, “What you put attention on, you give life,” while specifically warning against losing the craftspeople who devote their careers to filmmaking.
Cruise said Alejandro González Iñárritu read the Digger script to him over two nights before he agreed to the project, which he called one of the most original and moving films he had ever worked on.
Digger is scheduled for a U.S. theatrical release on October 2, 2026, with international releases beginning around September 30; the film also stars Riz Ahmed, John Goodman, Sandra Hüller and Jesse Plemons.
Tom Cruise took the stage at a BAFTA "Life in Pictures" event in London and delivered a forceful defense of human creativity in filmmaking, declaring that "there is nothing like human" artistry even as artificial intelligence reshapes the industry. Yahoo reported that Cruise acknowledged AI is coming to cinema but insisted audiences still crave authentic stories and the communal experience of movie theaters, citing a record $4.76 billion in U.S. box-office revenue between May 1 and Labor Day as proof that people "want to see real things."
Cruise's six-minute speech drew sustained applause and reflected his long-standing commitment to protecting performers and behind-the-scenes craftspeople from AI-driven job displacement. TheWrap noted that Cruise told the audience, "What you put attention on, you give life," while specifically warning filmmakers not to abandon the carpenters, camera operators, and effects artists who build cinema. His remarks came as he promotes his upcoming film *Digger*, where he plays an oil tycoon opposite Riz Ahmed, John Goodman, Sandra Hüller, and Jesse Plemons.
Cruise has championed protections for performers and craftspeople since at least June 2023, when he joined a critical SAG-AFTRA negotiations call to urge studios for guardrails around generative AI and performer likenesses. Parade reported that Cruise emphasized the irreplaceability of the specialized workers—set builders, visual effects artists, stunt coordinators—whose careers have built modern cinema. At BAFTA, he reinforced that message: losing these craftspeople means losing the human attention and care that separates great films from forgettable ones.
Cruise pushed back on the notion that streaming platforms threaten cinema, instead positioning them as fundamentally different mediums. Screen Daily reported that Cruise told the London audience, "Seeing a film in theaters is simply a different art form," emphasizing that shared, live theatrical experiences cannot be replicated at home. The record $4.76 billion U.S. summer box office—driven by practical blockbusters and audience hunger for spectacle—supports his argument that people still value the human-made, big-screen experience over AI-generated alternatives.
Cruise's advocacy mirrors the narrative stakes in his latest franchise installment. Geo News noted that the 2025 film *Mission: Impossible – The Final Reckoning* makes a rogue artificial intelligence called "The Entity" the central antagonist, turning Cruise's real-world concerns about AI into literal plot conflict. The timing underscores his message: while technology will inevitably change filmmaking, human judgment and creativity must remain at the helm.
Cruise's next project embodies the values he defended at BAFTA. The Luxe Review reported that director Alejandro González Iñárritu spent two nights reading the *Digger* script to Cruise before production, eventually choosing to shoot in VistaVision—a historically immersive, practically demanding format that demands human precision on set. Cruise told BAFTA that *Digger* ranks among "the most original and moving films" he has ever worked on. The film arrives in U.S. theaters on October 2, 2026, with international releases beginning September 30.
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