Collina Strada Debuts Spring 2027 Collection at Storm King
Collina Strada Debuts Spring 2027 Collection at Storm King
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Key Points
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Dagmar’s collection included a deliberately “skav-ish” or slightly off-kilter detail: a two-seam dress designed to fall in a straight line only when worn over one shoulder and slipped off the other.
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Collina Strada’s presentation was the first fashion runway show held at Storm King Art Center, reflecting a collaboration between the brand and the museum around ecology, sustainability and the relationship between clothing, sculpture and landscape.
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Beyond its environmental themes, Collina Strada’s collection drew on a deliberately mixed visual vocabulary that Taymour described as “the 3Rs times two”: “Reduce, reuse, and recycle” alongside Rococo, Riot Girl and a “cool girl Ren fair.” The show also included ruffled sneakers created for Converse.
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Stella Jean’s collaboration with Meeting Point International was designed to generate long-term independence: the paper-bead garments use no zippers, complicated patterns, machinery or electricity-dependent processes, allowing the Ugandan women to continue production without Jean’s assistance.
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Staudinger said Staud’s spring collection was shaped by the brand’s unusually strong pre-collection business, calling pre-fall the “Summer of Staud” and describing spring as living “in the space between,” where day and evening are intentionally interchangeable.
Fashion designers are rethinking how we dress for spring 2027, blending comfort with conscience. Vogue covered Collina Strada's debut at Storm King Art Center, where designer Hillary Taymour staged the museum's first-ever fashion runway show. The collection mixed pastel ruffles, sequins, and grunge aesthetics with sustainability at its core—a visual clash that celebrated both playfulness and responsibility.
Across New York fashion week, designers tackled the same tension: how to make clothes that feel good to wear and good for the world. From Dagmar's streamlined black-and-white separates to Stella Jean's hand-crafted pieces made by Ugandan women, collections prioritized practical dressing over excess. Staud blurred the line between day and evening wear, proving formal doesn't require sacrifice.
Collina Strada Brings Fashion to Storm King Museum
Hillary Taymour's Collina Strada show made history at Storm King Art Center, the first fashion runway ever held at the sculpture museum. Vogue reported the brand collaborated with the institution around ecology and the relationship between clothing and landscape. The collection embraced what Taymour called the "3Rs times two": reduce, reuse, recycle—plus Rococo, Riot Girl, and "cool girl Ren fair" aesthetics rolled into one.
Exaggerated pastels, ruffled sequined pieces, and grunge-influenced silhouettes created deliberate visual chaos. The show ended with a dance party featuring Carly Rae Jepsen, transforming the austere art center into a celebration. Taymour even created ruffled sneakers for Converse, bridging high fashion and everyday footwear.
Stella Jean Partners With Ugandan Artisans for Long-Term Independence
Stella Jean collaborated with Meeting Point International to create garments using paper beads made by Ugandan women living with HIV. Vogue documented how this approach differs from typical fashion charity: Jean designed pieces using no zippers, complicated patterns, or electricity-dependent machinery. The women can continue production independently, building lasting economic power.
The collection incorporated Ugandan straw, Malian textiles, and Haitian recycled metalwork. Each fabric choice supported artisans across Africa and the diaspora. By keeping production simple and local, Jean created a model where fashion serves global craft communities—not the reverse.
Dagmar and Staud Reimagine Professional and Evening Dressing
Dagmar responded to intensifying heat with streamlined black-and-white separates and airy silhouettes designed for comfort without resort excess. Vogue highlighted one deliberately off-kilter detail: a two-seam dress engineered to drape straight only when worn over one shoulder and slipped off the other. The collection prioritized wearability while maintaining architectural precision.
Staud blurred day and evening entirely. The brand's designer called spring 2027 "living in the space between," where satin gowns pair with casual accessories and fine leather outerwear meets colorful prints. Vogue noted this direction reflects unusually strong pre-collection sales, proving customers want clothes that work harder across their lives.
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