Guitarist AJ Rebollo Leaves Bad Wolves Over Posthumous Dolly Parton Cover Release

Parton was set to record vocals for Bad Wolves' Jolene cover and had heard and approved the version; her death from cancer prevented the collaboration, leading the band to oppose releasing the track posthumously.
Better Noise Music proceeded with releasing Jolene despite explicit opposition from multiple band members, and publicly announced the release despite the band’s protests.
In a prior charitable release, Bad Wolves put out a Cranberries cover 'Zombie' and donated approximately $250,000 of the profits to Dolores O'Riordan's family, illustrating a pattern of charitable releases alongside their releases.
AJ Rebollo joined Bad Wolves in 2023 as a touring member and has remained with the band since, signaling ongoing changes in the group's lineup.
Bad Wolves guitarist AJ Rebollo quit the band over a release decision he calls a betrayal of artistic control. Complex reports that Better Noise Music, the band's label, pushed forward with releasing a Dolly Parton cover of "Jolene" despite explicit opposition from multiple band members following Parton's death in early 2024. Rebollo, who joined Bad Wolves as a touring member in 2023, cited the label's disregard for the band's wishes as the breaking point in an already strained relationship.
The cover was originally meant to feature Parton herself on vocals — she had heard and approved the band's version before her death. Metal Injection reports that rather than shelve the track out of respect, Better Noise announced the release anyway and committed to donating proceeds to Parton's Imagination Library charity. Rebollo acknowledged the charitable intent but called the label's decision to move forward "ill intent," marking his final breaking point with management.
Bad Wolves recorded a cover of "Jolene" with plans to feature Dolly Parton on lead vocals. Newsy Today explains that Parton heard the version and signed off on it before her death from cancer. The band opposed releasing the track posthumously — a decision that showed respect for the late legend. But Better Noise Music overruled them and announced the release anyway.
The label promised to donate proceeds to Parton's Imagination Library, a literacy charity she founded. Archynetys reports that while this charitable aspect aligned with Bad Wolves' own history of giving back — they donated roughly $250,000 from a Cranberries cover to Dolores O'Riordan's family — the band felt the timing and control were wrong. Rebollo saw the label's move as corporate exploitation dressed up as charity.
Rebollo's departure reflects a deeper power struggle between the band and Better Noise Music. Fox Bangor reports that the guitarist accused the label of acting with "ill intent" in steamrolling the band's clear objections. This wasn't a single disagreement — it was the latest in a pattern of label-driven decisions that ignored band input on touring, lineup changes, and now artistic releases.
Better Noise's decision to announce the release publicly despite the band's private opposition left Rebollo with no choice. He quit rather than continue under a label that treated the band as a product to be managed, not artists with creative say. The move underscores a widespread tension in modern music: corporate bottom lines versus artistic autonomy.
Bad Wolves has cycled through multiple lineup changes in recent years. Rebollo's departure marks another crack in a band already dealing with lineup instability and management friction. The public nature of this split — with Rebollo openly criticizing the label — suggests tensions within the band go beyond this one cover.
The "Jolene" controversy became the final breaking point, but it exposed systemic issues with how Better Noise steers the band. For Rebollo, leaving was the only way to preserve his artistic integrity. Whether Bad Wolves can stabilize under current label management remains unclear.
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